so you're
inxs and you find yourself lost in the ipod shuffle of yesteryear desperately wondering how you can make your own particular brand of music relevant again - no small task for any band whose best years are clearly behind them (yes i'm talking about you u2) but then you factor in the fact that your charismatic lead singer with the golden vocal chords and latent sex appeal happens to be dead - well you're sort of screwed...
unless of course you have the good fortune to cash in on the reality television juggernaut that is sometimes referred to as
the reality television juggernaut which, not only gets your band back into the public eye - it also happens to generate tons of free publicity for this upcoming album that will be released with the
singer who prevails in this televised audition of
e.p.i.c. proportions...it should also be noted here that any opportunity to appear on television with the stunning
brooke burke (not to be confused with
brooke burns of
north shore/dog eat dog infamy whose porcelain veneers haunt me. and i don not lie.) is never a bad idea...in fact, i auditioned for the show (the show being
rockstar inxs) and did fairly well for myself all the way through regional finals where i performed
every day i write the book. only, instead of saying book - i substituted the word
brooke. and even though she found this
adorable (my word not hers) the producers found it
cloying (which...is that even a word?) and i got the boot - but brooke and i are
pan pals (seriously. we trade bread recipes) and it's great.
- thus i can comfortably proclaim that even though i am not going to be the new lead singer for
inxs the forthcoming record will most likely do bang up business - i'm predicting at least 500,000 sold domestically (probably 7 or 8 billion sold in australia) - which is still a gold record, and a measure of moderate success - even though said record probably won't be very good...and let's be realistic, it won't - the career of
inxs was in the tank long before michael hutchence checked out - the same michael hutchence who once publicly complained that u2 had co-opted the
inxs sound on
achtung baby (which, yeah i guess i can sort of see that on a song like
mysterious ways) and this - and this alone was the reason that record sales had begun to flag...but come on mike, people didn't stop buying radiohead records just because those asshats that call themselves
coldplay co-opted their sound. but we'll forgive michael for this oversight because i think the real trouble with him was that he never really got over
ubermodel helena christiansen - most famous for her romp on the beach with
elvis frapuccino aka chris isaak in his
wicked game video - and i could see how michael might have trouble getting over a girl like that - she's gloriously beautiful with the kind of eyes that one could really get lost in...seriously. just ask debbie gibson.
where was i? oh yes. don't get me wrong i don't begrudge
inxs any (
inx)success that might come from this latest venture - i mean seriously, they could have tapped david lee roth to front the band - or that dude from
extreme that totally (& ultimately) ruined
van halen once for all (and thank holy heaven for that). and this is really a pretty clever marketing ploy on their part and they will no doubt line their pockets with large sweaty wads of cash - and also? how can you be angry with the band that gave us
never tear us apart hands down one of the greatest songs of my lifetime - and i'm not just saying that because of its recent inclusion on the
donnie darko directors cut...because any of us who have seen the classic
donkeyman video recognize immediately that
donnie darko is nothing short of plagiarism and poor man's tobey macguire can just kiss it
- also, i'm not just singing the praises of
never tear us apart because of the phenomenal
sexophone solo that features prominently - even though it does totally rock - it's simply a perfectly crafted/and executed pop song with the strings and the
sax and that nifty guitar break between the chorus and the verse - that song seriously fights for my allegiance with
the promise by when in rome as the greatest song of the almost 1990's and thank you
napolean dynamite for bringing it back.